Blakes States of Mind in the Songs of Innocence and Experience :: Songs of Innocence and Experience

Blakes States of Mind in the Songs of Innocence and Experience When you put two minds together, there is al focuss a trio mind, a third and superior mind, as an unseen collaborator. William S. Burroughs and Brion Gysin, The Third Mind We are symbol-using primates in search for an ultimate Truth. No poet has understood and exploited this idea more(prenominal) successfully than William Blake, and this was solely due to his mysticism, the fact that his doors of perception were cleansed. What is his world like, then? In the Songs of Innocence and Experience we are apparently presented with two different worlds, narrated by two different narrators. A more careful reading will present several interesting correspondences between the two. For example, the meek Lamb becomes the fiery Tyger. The fountain appears to foster a syllogistic reasoning, a format of simple questions and easy answers in the midst of its catato nia, we are unnerved by what we as readers bring to the text, inserting our stranger (to the pastoral scene) phantoms of our experience. The latter poem, although pounding us with unanswered questions and awe-inspiring images, is, curiously, a more comfortable read in that it is a better fit into our perception. It seems that the contribute prairie and the dark forest belong to two entirely different worlds, but it is my belief that it is not the Lamb or the Tyger per se, that make the difference but the way they are treated, that is, narrated. Both Chimney Sweeper poems appear to be about the same situation. What clearly changes is the narration.